銀色記憶的飛行
作品分置本航廈入境大廳左右通道，以不鏽鋼和互動科技打造一座銀色流動的空間容器「銀色記憶」，尋找旅行台灣動機的文化潛意識。
不知名的旅者與旅行的行李箱，離開、到達，熟悉、回憶。旅行的初念與終點，記憶成為最終的歸屬，由記憶而發出的旅行圖像，交織複雜得難以辨識和確認。進入國門前以銀色翅膀下記憶的土地片段故事，作為認知台灣或尋找土地下熟悉各種記憶故事的線索。
作品以紅外線感應，驅動互動多媒體自動播放，影像中以「四季台灣」為片章印象，配合特有山林族群的文化意象，參與者可自由揮動身體，參與或介入影像的播放過程，形成島國中四處瀰漫的水氣波紋緩緩地擴散而出，於偶然的等待或相遇間，重新編織這段旅行的記憶。
影片分為春、夏、秋、冬四章，將由電腦自動於四季日期中匯入互動。
The work, a silver mobile space vessel–the silver memory, located at the channel of immigration hall of this navigation mansion, is made by stainless steel and interactive technology material. It shows the cultural subconscious of traveling Taiwan’s motivation. The unknown traveler and the travel suitcase bring the information of leaving, arriving, familiar and memory. From the initial idea to the end point of travel, memory becomes the final ownership. The memory sends out the travel image which is complex with difficulty to recognize and confirm. Before entering the entrance of the country, the land fragment stories of memory under the silver wing can be the story clue to cognition Taiwan and seek to familiar with each kind of stories. The work induces by infrared to interact the multimedia automatic broadcast. The film takes the four seasons of Taiwan as a piece chapter of impression that coordinate unique tribal group’s cultural image. The participant may wield the body freely to participate or involve with the film broadcast process, which form the moisture ripple in the island in all directions to proliferate slowly. In the time of waiting or meeting, the traveler weaves this section of travel as a memory. This movie is divided into four chapters–the spring, the summer, the fall and the winter. It will converge the interaction automatically by the computer in the dates of the four seasons.