花好花滿－百合Ⅱ
在藝術家黃舜廷的作品時常以諧音／雙關語的命題方式，創造視覺圖像並重新編碼，透過藝術品的生產與介入反覆辯證，探討社會中「價值」的建構系統，並嘗試拆穿其背後的運行軌跡，思考與尋找現實中的真實何在，重塑出台灣當代獨特的文化景觀。此作品便是將畫布化為容器，去盛裝以壓克力顏料所繪製出於台灣常見的花卉與蝴蝶結，並透過將畫面「畫好畫滿」的方式，表現出「花好花滿」於字面上所呈現之意涵。
Huang Shun-Ting’s works often use homophones/puns to create visual images and re-encode them, and explore the constructional system of “values” in society through the production and intervention of art. In dismantling the trajectory behind it, it gives us pause to ponder and seek the truth in reality, and reshape the unique cultural landscape of Taiwan. This work turns the canvas into a container to decorate the flowers and bows that are common in Taiwan with acrylic paint. In addition, it expresses the picture through “vivid painting” to manifest the literal connotations of “blossom full of flowers.”
