臨摹宋夏圭溪山清遠圖（右段）
藝術家陳浚豪以蚊釘與釘槍來取代了筆墨，將古畫以當代書寫的方式，賦予其嶄新的生命。在這件作品〈臨摹夏圭溪山清遠圖〉中，他以特製的釘槍將多達30萬根不銹鋼蚊釘疏密有致地釘在畫布木板上，像是傳統山水皴法的使用以及墨色暈染；每根蚊針都像是一個點，以點的聚集來形成線條，進而再購成塊面，製造出類似西方點描派繪畫技法，再加上光線變化在畫面產生的陰影，宋代山水大家作品的水氣氳氳氛圍頓時在一定的觀看距離隱然再現。
In Chen Jun-Hao’s first completed piece, “Imitating Pure and Remote View of Streams and Mountains by Xia Gui, Song Dynasty,” Chen uses a specially designed nail gun and precise calculation to densely pack as many as about 300,000 stainless steel mosquito nails together–the nails stand about 1 cm high from the canvas surface, thus, each mosquito nail can be said to be “profound”. On one hand, it is like a traditional Chinese landscape painting in its use of texture strokes and ink washes to create simulated levels of distance. On the other hand, each nail is like an individual point, gathered to form lines and then blocks. This is similar to the Western pointillism painting technique and, coupled with changes in the image produced by light and shadow, the water vapor atmosphere in this work is suddenly reproduced at certain viewing distances.