等待而憩，滿袋而歸
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桃園市楊梅區新富七街74號
桃園市
335
TW
興辦機關
桃園市政府文化局
作品年代
2019
作品尺寸
A：長120×寬120×高70 cmB：長150×寬77×高84 cmC：長123×寬95×高79 cmD：長123×寬93×高79 cmE：長90×寬63×高30 cmF：長90×寬78×高64 cm
作品材質
晚霞紅大理石、白色大理石、米白洞石
作品說明(中文)
以農家米袋與客家布製包袱為創作發想，隱喻富岡的通勤族下班下課後滿滿的收穫，「滿袋而歸」如米袋之飽滿。
二組石雕作品分別表現米袋及包袱飽滿之姿，包袱束口處束緊扭轉之張力，為作品最具趣味、充滿變化之視覺焦點。包袱袋身刻意塑造柔軟平順的造型，讓觀者有坐臥、攀爬及觸摸之趣。
作品說明(英文)
Taoyuan is the breadbasket of northern Taiwan and this work takes as its inspiration the rice sacks of farmers and wrapping cloth traditionally used to carry items in the Hakka community. Both allude to the commuters of Fugang returning home after a hard day at work or school.
The two sets of stone sculptures represent full bags of rice and wrapping cloth, while the tension used to fasten the cloth creates a visual focal point that is changeable and appealing. The wrapping cloth is styled in a shape that is soft and smooth, allowing visitors to sit, lie down, climb or just touch.
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