作品象徵桃園的拂曉之時、造物之美,亦取「上善若水」之意,有德之人如水,不與萬物相爭,體現無私、公正不偏袒之善,期盼人人皆能擁護此心,堅定此意。
This work symbolizes the beauty of creation at daybreak in Taoyuan and embraces the saying “the greatest benevolence is like water.” It alludes to the fact that moral people are like water, coexisting with nature. They are unselfish, just and impartial, a sentiment that should be embraced by Mankind as an integral part of life.